A horde of enthusiastic tenors held rehearsal in my head through most of Math lecture (when I wasn’t dozing off). I barely heard Professor Steele’s material about directional derivatives. I was too busy mulling over ANOTHER re-arrangement of the material from Ponyo – the one that was performed live in Paris. The “Deep Sea Ranch” theme makes a re-appearance at one point in B-flat major, and for some reason, the half-step shift upward really makes a difference. Maybe it was just the makeup of the choir and the articulation (the “gentle” male tenor voice really stood out in Paris); still that wondrous chord change (bass line A –> A-flat, chords F major –> F diminished) replays itself over and over…



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